Industry Reviews
Review by RJ Lannan, New Age Reporter, November 2005. "Karen Marie Garrett’s music is cloud chasing music. It is light and soothing without being repetitive or droning. It is the perfect soundtrack to any sunny day, no matter what the forecast says. "If you are looking for a piano album that suggests light, airy feelings and sunny, day-dream interludes then Allure of Sanctuary the new release by Karen Marie Garrett is just the ticket. The overall theme promises that there are still places remaining that cater to the weary spirit and harbor the heart-searching if only for a few precious moments. Karen Marie has a great sense of composition and she must know first hand what breaks, or better still, what heals a troubled heart.
Like something out of child’s imaginary dream world, the first tune Tip-toe Dancer (Kathryn’s Song) creates a light, flirty mood. You can almost see the tiny ballerina dancing amidst a red velvet background. Once you close the lid of the box the music stops, but the tune remains in your heart.
I always thought that the Ewoks in the Star Wars movies were superfluous and just too cute for words, but apparently Karen Marie thinks differently as she pays homage to the furry little heroes in the song Lake EWOk Muse. I am assuming that it is actually the lake side setting that is the subject. Frankly, it doesn’t matter what she called the tune as it is absolutely superb. There is a wondrous pastoral beauty about it that paints the image of a placid lake on a warm afternoon. Hungry fish make dimples on the lake’s surface and perhaps a few angry clouds are moving in from the west, but for now the lazy sun is your only companion. Eugene Freisen’s cello is a welcome addition and the song would not be complete without him. It is one of my favorites on Allure of Sanctuary and seems to suit the theme for the album quite well.
It’s like walking through a door and finding escape just on the other side. The title track Allure of Sanctuary probably has the snappiest beat of any song and it grabs you with its tango-like cadence and whispery voice background. There is a place that consoles the spirit and lets your cares melt away. It may be called dreamland, inner peace or Cloud 9, but is best accompanied by this fanciful tune.
Wistful dreams abound when you listen to the tune The Green Hills. The solo piano number is a showcase for Garrett’s pastoral composing style and versatility and it is a welcome reprieve from the day’s harried endeavors. It will be one of your favorites as it is mine.
Karen Marie touches on three of impressionist Erik Satie’s more somber works, the “plain songs” Gnossiennes 1, 2, & 3. Satie of course is a favorite of mine and I have long suspected that he is the pater of New Age Music. Satie dedicated his works to the great palaces at Knossos and I imagine that Garrett is enamored by his simple, yet inventive ideology.
Will’s Song is I suppose sort of a tribute to Karen Marie’s producer, Will Ackerman. Yes, that Will Ackerman. Who knows why, but the song remains an outstanding cut on Allure of Sanctuary (I jest of course). The tune, an improvisation made with K.M.’s engine at idle and the meter running has a depth of mood with an almost idyllic beauty.
The best cut by far on the CD is called Toll of War. Accompanied once again by cellist Eugene Friesen, the solemn, emotional piece is a work of musical art. In the back of my mind I am reminded of Beethoven’s Moonlight Sonata when I listen to this work. The same gravity of mood, but from different sources of inspiration. Garrett’s piece is a lament, yet remains contemplative and mentally accessible. Overall, it has a sad, formal quality like something out of Henryk Gorecki’s repertoire, but it has nascent beauty to it that makes it appealing."
Like something out of child’s imaginary dream world, the first tune Tip-toe Dancer (Kathryn’s Song) creates a light, flirty mood. You can almost see the tiny ballerina dancing amidst a red velvet background. Once you close the lid of the box the music stops, but the tune remains in your heart.
I always thought that the Ewoks in the Star Wars movies were superfluous and just too cute for words, but apparently Karen Marie thinks differently as she pays homage to the furry little heroes in the song Lake EWOk Muse. I am assuming that it is actually the lake side setting that is the subject. Frankly, it doesn’t matter what she called the tune as it is absolutely superb. There is a wondrous pastoral beauty about it that paints the image of a placid lake on a warm afternoon. Hungry fish make dimples on the lake’s surface and perhaps a few angry clouds are moving in from the west, but for now the lazy sun is your only companion. Eugene Freisen’s cello is a welcome addition and the song would not be complete without him. It is one of my favorites on Allure of Sanctuary and seems to suit the theme for the album quite well.
It’s like walking through a door and finding escape just on the other side. The title track Allure of Sanctuary probably has the snappiest beat of any song and it grabs you with its tango-like cadence and whispery voice background. There is a place that consoles the spirit and lets your cares melt away. It may be called dreamland, inner peace or Cloud 9, but is best accompanied by this fanciful tune.
Wistful dreams abound when you listen to the tune The Green Hills. The solo piano number is a showcase for Garrett’s pastoral composing style and versatility and it is a welcome reprieve from the day’s harried endeavors. It will be one of your favorites as it is mine.
Karen Marie touches on three of impressionist Erik Satie’s more somber works, the “plain songs” Gnossiennes 1, 2, & 3. Satie of course is a favorite of mine and I have long suspected that he is the pater of New Age Music. Satie dedicated his works to the great palaces at Knossos and I imagine that Garrett is enamored by his simple, yet inventive ideology.
Will’s Song is I suppose sort of a tribute to Karen Marie’s producer, Will Ackerman. Yes, that Will Ackerman. Who knows why, but the song remains an outstanding cut on Allure of Sanctuary (I jest of course). The tune, an improvisation made with K.M.’s engine at idle and the meter running has a depth of mood with an almost idyllic beauty.
The best cut by far on the CD is called Toll of War. Accompanied once again by cellist Eugene Friesen, the solemn, emotional piece is a work of musical art. In the back of my mind I am reminded of Beethoven’s Moonlight Sonata when I listen to this work. The same gravity of mood, but from different sources of inspiration. Garrett’s piece is a lament, yet remains contemplative and mentally accessible. Overall, it has a sad, formal quality like something out of Henryk Gorecki’s repertoire, but it has nascent beauty to it that makes it appealing."